{"id":6521,"date":"2025-02-04T10:36:48","date_gmt":"2025-02-04T09:36:48","guid":{"rendered":"https:\/\/odazoe.com\/repertorio\/"},"modified":"2025-05-20T09:48:41","modified_gmt":"2025-05-20T07:48:41","slug":"repertoire","status":"publish","type":"page","link":"https:\/\/odazoe.com\/en\/repertoire\/","title":{"rendered":"Repertoire"},"content":{"rendered":"[vc_row type=”full_width_background” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” top_padding=”40″ bottom_padding=”40″ text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”repertorio” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=”” gradient_type=”default”][vc_column column_padding=”padding-5-percent” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” column_padding_type=”default” gradient_type=”default”][tabbed_section style=”vertical” tab_color=”Accent-Color” vs_content_animation=”fade” vs_link_animation=”opacity” vs_navigation_alignment=”left” vs_navigation_width_2=”25%” vs_navigation_func=”default” vs_navigation_width=”regular” vs_navigation_spacing=”15px” vs_navigation_mobile_display=”visible” vs_tab_spacing=”5%”][tab icon_family=”none” title=”Opera parts” id=”1747724537494-1″ tab_id=”1747724537494-5″][vc_column_text css=”” text_direction=”default”]\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Albinoni<\/strong><\/td>\nPimpinone<\/td>\nVespetta<\/td>\n<\/tr>\n
Bellini<\/strong><\/td>\nNorma<\/td>\nAdalgisa<\/td>\n<\/tr>\n
Britten<\/strong><\/td>\nThe Rape of Lucretia<\/td>\nLucretia<\/td>\n<\/tr>\n
Debussy<\/strong><\/td>\nPell\u00e9as et M\u00e9lisande<\/td>\nM\u00e9lisande<\/td>\n<\/tr>\n
Donizetti<\/strong><\/td>\nAnna Bolena<\/td>\nSmeton<\/td>\n<\/tr>\n
Gounod<\/strong><\/td>\nFaust<\/td>\nSiebel<\/td>\n<\/tr>\n
von Gluck<\/strong><\/td>\nOrfeo ed Euridice<\/td>\nOrfeo<\/td>\n<\/tr>\n
H\u00e4ndel<\/strong><\/td>\nAriodante<\/td>\nAriodante<\/td>\n<\/tr>\n
<\/td>\nGiulio Cesare<\/td>\nSesto<\/td>\n<\/tr>\n
Humperdinck<\/strong><\/td>\nH\u00e4nsel und Gretel<\/td>\nH\u00e4nsel \/ Die Hexe<\/td>\n<\/tr>\n
Massenet<\/strong><\/td>\nWerther<\/td>\nCharlotte<\/td>\n<\/tr>\n
Monteverdi<\/strong><\/td>\nL\u2019Orfeo<\/td>\nMessaggera \/ La Speranza<\/td>\n<\/tr>\n
<\/td>\nL\u2019Incoronazione di Poppea<\/td>\nOttavia<\/td>\n<\/tr>\n
Mozart<\/strong><\/td>\nCos\u00ec fan tutte<\/td>\nDorabella<\/td>\n<\/tr>\n
<\/td>\nLe Nozze di Figaro<\/td>\nCherubino<\/td>\n<\/tr>\n
<\/td>\nLa Clemenza di Tito<\/td>\nSesto<\/td>\n<\/tr>\n
<\/td>\nIdomeneo<\/td>\nIdamante<\/td>\n<\/tr>\n
Peri<\/strong><\/td>\nL\u2019Euridice<\/td>\nProserpina<\/td>\n<\/tr>\n
Purcell<\/strong><\/td>\nDido and Aeneas<\/td>\nDido \/ The Witch \/ The Spirit<\/td>\n<\/tr>\n
Rossini<\/strong><\/td>\nLa Pietra del Paragone<\/td>\nClarice<\/td>\n<\/tr>\n
<\/td>\nLa Cenerentola<\/td>\nAngelina (Cenerentola)<\/td>\n<\/tr>\n
<\/td>\nIl Barbiere di Siviglia<\/td>\nRosina<\/td>\n<\/tr>\n
Vivaldi<\/strong><\/td>\nL\u2019Olimpiade<\/td>\nArgene<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n[\/vc_column_text][\/tab][tab icon_family=”none” title=”Opera arias” id=”1747724537507-7″ tab_id=”1747724537507-0″][vc_column_text css=”” text_direction=”default”]\n

Bellini, from I Capuletti ed i Montecchi<\/strong>:
\nLieto del dolce incarco\u2026 Se Romeo t\u2019uccise un figlio; Deh tu! Deh tu, bell\u2019anima (Romeo)<\/p>\n

Bizet, from Carmen<\/strong>:
\nL\u2019amour est un oiseau rebelle (Carmen)<\/p>\n

Cimarosa, from Il matrimonio segreto<\/strong>:
\n\u00c8 vero che in casa (Fidalma)<\/p>\n

Donizetti, from Lucrezia Borgia<\/strong>:
\nIl segreto per esser felici (Orsini)<\/p>\n

Handel, from Alcina<\/strong>:
\nSta nell\u2019ircana pietrosa tana (Ruggiero)<\/p>\n

Meyerbeer, from Les huguenots<\/strong>:
\nNobles Seigneurs, salut! (Urbain)<\/p>\n

Porpora, from Polifemo<\/strong>:
\nAlto Giove (Aci)<\/p>\n

Rossini, from L\u2019Italiana in Algeri<\/strong>:
\nPer lui che adoro e Cruda sorte (Isabella)<\/p>\n

Thomas, uit Mignon<\/strong>:
\nConnais-tu le pays (Mignon)<\/p>\n

Vivaldi<\/strong>
\nfrom Il Farnace<\/strong>: Gelido in ogni vena (Farnace)
\nfrom Bajazet<\/strong>: Sposa son disprezzata (Irene)<\/p>\n[\/vc_column_text][\/tab][tab icon_family=”none” title=”Sacred” id=”1747724537516-4″ tab_id=”1747724537516-6″][vc_column_text css=”” text_direction=”default”]\n

Andriessen: Magna Res est Amor<\/strong>; Gebet an den Sonntag<\/p>\n

Bach<\/strong>: Passione secondo Matteo (contralto solo); Magnificat (soprano 2 solo);
\nOratorio di Pasqua (contralto solo); Actus Tragicus (contralto solo);
\nAria \u201cVergn\u00fcgte Ruh, beliebte Seelenlust\u201d dalla Cantata BWV 170<\/p>\n

Faur\u00e9<\/strong>, Salve Regina Op. 67 nr. 1<\/p>\n

Franck<\/strong>, Panis Angelicus<\/p>\n

Galuppi<\/strong>, dal Nisi Dominus: Beatus Vir<\/p>\n

H\u00e4ndel<\/strong>: Messia (contralto solo)<\/p>\n

Haydn, dallo Stabat Mater<\/strong>: Fac me vere tecum flere<\/p>\n

Mascagni<\/strong>, Ave Maria<\/p>\n

Mendelssohn<\/strong>: Hymne \u201cH\u00f6r mein Bitten\u201d e da \u201cPaulus\u201d:
\nUnd zog mit einer Schar\u2026. Doch der Herr<\/p>\n

Monteverdi<\/strong>: Vespri per la beata Vergine (contralto solo)<\/p>\n

Mozart<\/strong>:
\nMessa in do minore (soprano secondo solo)
\nRequiem (contralto solo)<\/p>\n

Pergolesi<\/strong>: Stabat Mater (contralto solo)<\/p>\n

Piazzolla<\/strong>, Ave Maria<\/p>\n

Reger<\/strong>, Mariae Wiegenlied<\/p>\n

Rossini<\/strong>: Stabat Mater (mezzosoprano solo); Messe Solennelle (contralto solo)<\/p>\n

Vierne<\/strong>, Les Ang\u00e9lus Op. 57
\nI. Au matin
\nII. \u00c0 midi
\nIII. Au soir<\/p>\n

Vivaldi<\/strong>: Gloria (contralto solo), Nisi Dominus (contralto solo)<\/p>\n[\/vc_column_text][\/tab][tab icon_family=”none” title=”Lied & Chamber Music” id=”1747724537524-8″ tab_id=”1747724537524-2″][vc_column_text css=”” text_direction=”default”]\n

Please also have a look at the repertoire for mezzosoprano, cello and piano on Trio<\/a> page<\/em><\/p>\n

Barber<\/strong>: Dover Beach (mezzo-soprano and string quartet)<\/p>\n

Berg<\/strong>: Sieben fr\u00fche Lieder, Vier Lieder Op.2<\/p>\n

Brahms<\/strong>: An die Nachtigall; Sonntag; Wiegenlied; Treue Liebe; Der Gang zum Liebchen; Vergebliches St\u00e4ndchen; Sapphische Ode; Immer leiser wird mein Schlummer; Wie Melodien zieht es mir; M\u00e4dchenlied; Die Mainacht; From ewiger Liebe; Sandm\u00e4nnchen;
\nZwei Lieder Op. 91 (for voice, viola\/cello and piano):
\nGeistliches Wiegenlied
\nGestillte Sehnsucht<\/p>\n

Britten<\/strong>: The birds<\/p>\n

Chausson<\/strong>: Chanson perp\u00e9tuelle (for mezzo-soprano, piano and string quartet)<\/p>\n

Debussy<\/strong>: Trois chansons de Bilitis; Beau soir<\/p>\n

Faur\u00e9<\/strong>: Nell; Apr\u00e8s un r\u00e8ve; Never; R\u00eave d’amour;
\nPo\u00ebme d’un jour Op. 21: Rencontre \u2013 Toujours \u2013 Adieu
\nLes Berceaux; Notre amour; La F\u00e9e aux chansons; Les roses d’Ispahan; Clair de lune
\nFrom Cinq m\u00e9lodies de Venise: Mandoline \u2013 Green<\/p>\n

Hahn<\/strong>: Quand la nuit n’est pas \u00e9toil\u00e9e; \u00c0 Chloris; The Printemps<\/p>\n

Mahler<\/strong>: R\u00fcckert-Lieder<\/p>\n

Mendelssohn-Bartholdy<\/strong>: Abschiedslied der Zugv\u00f6gel (duet)<\/p>\n

Mozart<\/strong>: Als Luise die Briefe; An Chloe; Laughing calm; Dans un bois solitaire et sombre; Abendempfindung; Trennungslied<\/p>\n

Quilter<\/strong>: Three Shakespeare Songs Op. 6<\/p>\n

Reger<\/strong>: Mariae Wiegenlied<\/p>\n

Respighi<\/strong>: Il Tramonto (for mezzo-soprano and string quartet); The Fauns<\/p>\n

Rossini<\/strong>: Ave Maria on two notes; Funny duet of two cats<\/p>\n

Samson<\/strong>: The hours rise up (for mezzo-soprano and cello)<\/p>\n

Schubert<\/strong>: Der Lindenbaum; Standchen; Gretchen am Spinnrade; Heidenr\u00f6slein; Der Wanderer; Die Forelle; Ellen’s dritter Gesang (Ave Maria); Der Tod und das M\u00e4dchen; Novels from ‘Rosamunde’; An die Music; Du bist die Ruh; Lachen und Weinen; An die Laute; Liebhaber in Allen Gestalten; Schlafe, holder s\u00fc\u00dfer Knabe<\/p>\n

Schumann<\/strong>: Frauenliebe und -Leben Op. 42; Dichterliebe Op. 48; Liederkreis Op. 24; Trag\u00f6die Op. 6;
\nFrom Myrten Op. 25: Du meine Seele, du mein Herz; Die Lotosblume
\nFrom Liederkreis Op. 39: Aus der Heimat hinter den Blitzen rot; Mondnacht
\nMarienw\u00fcrmchen, setze Dich; Volksliedchen (Wenn ich fr\u00fch)<\/p>\n

Schoenberg<\/strong>: Lieder Op. 2<\/p>\n

Schlegel<\/strong>: Deutsche Liebeslieder Op. 20<\/p>\n

Shostakovich<\/strong>: Songs on Jewish Folk Poetry (for soprano, mezzo-soprano, tenor and piano)<\/p>\n

Strau\u00df<\/strong>: Allerseelen; Morgen; Du meines Herzens Kr\u00f6nelein<\/p>\n

Tosti<\/strong>: Four Songs of Amaranta<\/p>\n

Verdi<\/strong>: Ah, sorry, oh Addolorata<\/p>\n

Wagner<\/strong>: Wesendoncklieder<\/p>\n

Wolf<\/strong>: Das verlassene M\u00e4gdlein<\/p>\n

Zemlinsky<\/strong>: Maeterlinck Lieder Op. 13<\/p>\n

Shostakovich<\/strong>: Songs on Jewish Folk Poetry (per soprano, mezzosoprano, tenore e pianoforte)<\/p>\n

Strau\u00df<\/strong>: Allerseelen; Morgen; Du meines Herzens Kr\u00f6nelein<\/p>\n

Tosti<\/strong>: Quattro Canzoni d\u2019Amaranta<\/p>\n

Verdi<\/strong>: Deh, pietoso, oh Addolorata<\/p>\n

Wagner<\/strong>: Wesendoncklieder<\/p>\n

Wolf<\/strong>: Das verlassene M\u00e4gdlein<\/p>\n

Zemlinsky<\/strong>: Maeterlinck Lieder Op. 13<\/p>\n[\/vc_column_text][\/tab][\/tabbed_section][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"

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