{"id":6525,"date":"2025-03-13T01:11:17","date_gmt":"2025-03-13T00:11:17","guid":{"rendered":"https:\/\/odazoe.com\/trio\/"},"modified":"2025-05-20T09:56:39","modified_gmt":"2025-05-20T07:56:39","slug":"trio","status":"publish","type":"page","link":"https:\/\/odazoe.com\/en\/trio\/","title":{"rendered":"Trio"},"content":{"rendered":"[vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”40px” equal_height=”yes” content_placement=”middle” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” top_padding=”50″ bottom_padding=”50″ text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=”” gradient_type=”default”][vc_column column_padding=”padding-5-percent” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/2″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”zoom-out-reveal” border_type=”simple” column_border_width=”none” column_border_style=”solid” column_padding_type=”default” gradient_type=”default”][image_with_animation image_url=”6255″ image_size=”full” animation_type=”entrance” animation=”Fade In From Bottom” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”zoom-crop” alignment=”center” border_radius=”10px” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default”][\/vc_column][vc_column column_padding=”padding-2-percent” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”top-bottom” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”recensioni” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/2″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” column_padding_type=”default” gradient_type=”default”][vc_row_inner column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” text_align=”left” row_position=”default” row_position_tablet=”inherit” row_position_phone=”inherit” overflow=”visible” pointer_events=”all”][vc_column_inner column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” overflow=”visible” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” enable_animation=”true” animation=”fade-in-from-bottom” animation_easing=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” column_padding_type=”default” gradient_type=”default”][vc_column_text css=”” text_direction=”default”]In 2019, cellist Doris Hochscheid<\/strong> (yes: she is my sister!), pianist Frans van Ruth and I<\/strong> started exploring pieces for mezzo-soprano<\/strong>, cello<\/strong> and piano<\/strong>. We discovered \u2013 we have to confess: with some surprise! \u2013 a substantial amount of beautiful and interesting repertoire for this combination<\/strong>.<\/p>\n

Since then, we have been able to fill our suitcases with plural concert programs of splendid music for mezzosoprano, cello and piano, with a multitude of nationalities and in five different languages<\/strong>. The repertoire is mostly characterised by the late-romantic style.
\nIn 2023, we premiered a new and favourite trio program around the themes \u201cMoon\u201d and \u201cNight\u201d, featuring the brand new Lied\u201cI watched the Moon around the House\u201d, composed especially for us by Max Knigge.<\/p>\n

\u201cZig-zag through Europe\u201d: please travel with us through a vast number of european, perhaps better to say: occidental countries…[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” column_margin=”40px” equal_height=”yes” content_placement=”middle” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” bg_color=”#f7f7f7″ scene_position=”center” top_padding=”50″ bottom_padding=”50″ text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=”” gradient_type=”default”][vc_column column_padding=”padding-2-percent” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”top-bottom” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”recensioni” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/2″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” column_padding_type=”default” gradient_type=”default”][vc_row_inner column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” text_align=”left” row_position=”default” row_position_tablet=”inherit” row_position_phone=”inherit” overflow=”visible” pointer_events=”all”][vc_column_inner column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” overflow=”visible” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” enable_animation=”true” animation=”fade-in-from-bottom” animation_easing=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” column_padding_type=”default” gradient_type=”default”][vc_column_text css=”” text_direction=”default”]Some of the \u201cLieder\u201d have plural nationalities themselves. For example, the late-romantic danish composer Jakob Fabricius wrote a gloomy, nordic Lied on poetry by the early-romantic french author Marceline Delbordes-Valmore: below a live video recording made during our concert in Beetsterzwaag, The Netherlands (2019).<\/p>\n

In our concerts, a special role is reserved for the \u201cDeutsche Liebeslieder Opus 20\u201d, for voice and piano, by dutch composer Leander Schlegel, whose music was highly appreciated in the Vienna of the first twentieth century and performed in the most important Viennese concert halls. The Opus 20 tells a story that constitutes one of the most vital themes of romantic german poetry and music: Peter loves Grete, but Grete marries another- for Peter only the grave remains. Below \u201cDie Nachtigall\u201d, number 11 from the Liedcycle that lasts about one hour in total, recorded back in 2013 during our concert in the Vredenburg-Leeuwenberg Hall in Utrecht.<\/p>\n

And of course every concert is an opportunity to hear the vastly lauded duo Doris & Frans! Doris Hochscheid and Frans van Ruth, founders of \u201cCellosonate Nederland\u201d, received the prestigious ECHO Klassik Prize in 2016 for their monumental CD series \u201cDutch Cellosonatas\u201d (Label MDG). In 2017, they were knighted in the Order of Oranje-Nassau as an acknowledgement of their merits for dutch music.<\/p>\n

dorishochscheid.nl<\/a> – <\/i>fransvanruth.nl<\/i><\/a> –\u00a0<\/i>cellosonate.nl<\/em><\/a> –\u00a0<\/i>leander-schlegel.nl<\/em><\/a>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][vc_column column_padding=”padding-5-percent” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/2″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”zoom-out-reveal” border_type=”simple” column_border_width=”none” column_border_style=”solid” column_padding_type=”default” 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text_direction=”default”][\/split_line_heading][divider line_type=”Small Line” line_alignment=”center” line_thickness=”1″ divider_color=”accent-color” animate=”yes” custom_height=”30″ custom_line_width=”300″][vc_row_inner column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” top_padding=”30″ text_align=”left” row_position=”default” row_position_tablet=”inherit” row_position_phone=”inherit” overflow=”visible” pointer_events=”all”][vc_column_inner column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” 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bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_video link=”https:\/\/www.youtube.com\/watch?v=6j3wi5tJuMM” align=”center” css=””][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” bg_color=”#f7f7f7″ scene_position=”center” top_padding=”40″ bottom_padding=”60″ text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=”” gradient_type=”default”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” column_padding_type=”default” gradient_type=”default”][split_line_heading animation_type=”line-reveal-by-space” font_style=”h2″ line_reveal_by_space_text_effect=”default” content_alignment=”center” mobile_content_alignment=”inherit” link_target=”_self” text_content=”Trio Repertoire” max_width=”450″ text_direction=”default”][\/split_line_heading][divider line_type=”Small Line” line_alignment=”center” line_thickness=”1″ divider_color=”accent-color” animate=”yes” custom_height=”30″ custom_line_width=”300″][vc_row_inner column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” top_padding=”30″ text_align=”left” row_position=”default” row_position_tablet=”inherit” row_position_phone=”inherit” overflow=”visible” pointer_events=”all”][vc_column_inner column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” overflow=”visible” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/2″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” 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Anton Arensky\u00a0<\/strong>(1861-1906), Six Romances Op. 38 no. 2:
\n<\/strong>Landish<\/em><\/p>\n

Hector Berlioz<\/strong>\u00a0(1803-1869),\u00a0La Captive<\/i><\/p>\n

Aleksandr Borodin<\/strong>\u00a0(1833-1887)
\nKrasawitsa ribatsjka
\n<\/i>Razljubila krasna dewitsa
\n<\/i>Slushaitji, padruzshinki<\/i><\/p>\n

Gaetano Braga<\/strong>\u00a0(1829 \u2013 1907),\u00a0L\u2019Esule<\/em><\/p>\n

Johannes Brahms<\/strong>\u00a0(1833-1897), Zwei Ges\u00e4nge Op. 91:
\nGestillte Sehnsucht<\/em>
\nGeistliches Wiegenlied<\/em><\/p>\n

Frank Bridge<\/strong>\u00a0(1879-1941), Three Songs for medium voice, viola and piano:
\nMusic when soft voices die<\/em><\/p>\n

Adolf Busch<\/strong>\u00a0(1891-1952), Drei Lieder Op. 3a:
\nNun die Schatten dunkeln<\/em>
\nAus den Himmelsaugen droben<\/em><\/p>\n

Alphons Diepenbrock<\/strong>\u00a0(1862-1921),\u00a0Berceuse<\/em><\/p>\n

Anton\u00edn Dvor\u00e1k\u00a0<\/strong>(1841-1904),<\/strong>\u00a0Rusalka:\u00a0Song to the moon<\/em><\/p>\n

Jakob Fabricius<\/strong>\u00a0(1840-1919),\u00a0Souvenir<\/em><\/p>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” overflow=”visible” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/2″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text css=”” text_direction=”default”]\n

Joseph Hollman<\/strong>\u00a0(1852-1926)
\nQuand vous me montrez une rose<\/em>
\nChanson d\u2019amour<\/em><\/p>\n

Max Knigge<\/strong>\u00a0(*1984),\u00a0I watched the moon around the house
\n<\/em><\/p>\n

Charles Martin Loeffler<\/strong>\u00a0(1861-1935), Quattre Po\u00e8mes pour voix, alto e piano Op. 5:
\nS\u00e9r\u00e9nade<\/em><\/p>\n

Joseph Marx<\/strong>\u00a0(1882-1964),\u00a0Adagio<\/em><\/p>\n

Jules Massenet<\/strong>\u00a0(1842-1912)
\nNuit d\u2019Espagne
\nOn dit
\nEl\u00e9gie<\/em><\/p>\n

Alfredo Piatti<\/strong>\u00a0(1822-1901),\u00a0La sera<\/i><\/p>\n

Camille Saint-Sa\u00ebns<\/strong>\u00a0(1835-1921),\u00a0Danse Macabre<\/i><\/p>\n

Ren\u00e9 Samson<\/strong>\u00a0(1948-2019),\u00a0The hours rise up
\n(voice and violoncello)<\/em><\/p>\n

Leander Schlegel<\/strong>\u00a0(1844-1913),\u00a0Deutsche Liebeslieder<\/em>\u00a0Op. 20
\n(voice and piano)<\/p>\n

Pier Adolfo Tirindelli<\/strong>\u00a0(1858-1937),\u00a0Mistica<\/em><\/p>\n

Pauline Viardot<\/strong>\u00a0(1821-1910),\u00a0Sviozdi (The stars)<\/em><\/p>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"

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